In January I wrote about the Youth Onstage! production of the Work/Play last month. Now there’s a video excerpt for your viewing pleasure

One of my weekly treats is the arrival in my inbox of Talk Talk, excerpts from a dialogue Fred Newman and Jackie Salit have after watching the political talk shows on TV.  Newman, co-founder with me of the Institute, is many other things – among them a philosopher and astute political strategist. Salit is president of the Committee for an Unified Independent Party, Inc. (CUIP) and executive editor of The Neo-Independent magazine.  I always learn something from reading their conversations, especially when they combine two seemingly disparate topics.  The February 21 column, “Brokent Government, Unscientific Psychology,” was especially fascinating. Here’s how it opens:

Salit: There was something strangely similar for me about the political discussions that we watched on Hardball, Morning Joe and CNN’s Campbell Brown and the PBS NewsHour discussion about mental illness and the DSM-V. DSM stands for the Diagnostic Statistical Manual, the diagnostic guide of the American Psychiatric Association. DSM-V is the proposed update of DSM-IV. I’m trying to think how to characterize the similarity. One word comes to mind…

Newman: Try “mythology.”

You can read the rest at Talk Talk

I just returned from a week in China – specifically, Deyang, a city in the Sichuan province very hard hit by the 2008 earthquake (more than 17,000 people died and over 70,000 were injured; the schools in neighboring areas collapsed). I was there to train middle school teachers in play and performance, so they could incorporate play breaks with their students into the otherwise very serious and very stressful school day and help with the trauma that is still present for many children and adults. The training was a partnership with the All Stars Project and the China Foundation for Poverty Alleviation (CFPA) and along with me were co-trainers Elouise Joseph, a pediatrician and director of youth programs for the All Stars in San Francisco and David Nackman, actor and creative director of Performance of a Lifetime in NYC.

CFPA had gathered 70 teachers and volunteers from 40 schools in the province to work with us for two days. It was a joy! All agreed that children needed to play, and the many teachers who initially said they themselves had forgotten how to play very quickly either remembered or learned anew. Over the two days we taught them many improv games, gave them time to practice teaching them to each other (performing as children), had them create and perform short plays as responses to the training – as we interpersed  the theoretical basis for this approach to learning and development through conversation and video.

Some of the teachers and us

A scene from one of the improvised plays

It was very moving and challenging to support the work already being done by CFPA and others for earthquake survivors in Sichuan by bringing to them the unique approach to human development I’ve been part of developing for so long. The teachers took to performance – playing improv games and creating dozens of improvised plays – and in their comments they shared ways they saw its value and potential: their thrill that “they did what they thought was impossible;” how they “gained confidence and related to each other with a more open mind;” the way they “learned to work together” and “discovered so much about themselves and others;”  and that they “see children in a different way now.” One teacher said that on Monday morning when he came to school he was gong to be different – he would smile.

While in Deyang we visited the nearby small city of Mianzhu. The entire city had been rebuilt, including the school which we visited.

Brand new school in Mianzhu

After the training we traveled to Beijing to meet with the national staff of CFPA, share our work with them, and learn about the many programs the organization runs, including their plans for expanding internationally.

A view of Beijing

I’m so pleased and honored that my book Vygotsky at Work and Play was nominated for the Eleanor Maccoby Book Award in Developmental Psychology, given by Divison 7 (Developmental Psychology) of the American Psychological Association annually. I just posted the nomination on the Reviews page under Vygotsky at Work and Play. Check it out! And heartfelt thanks to the international group of nominators!

Fred Newman and Patch Adams

This past Saturday I had the privilege of hosting Patch Adams  for the day between two university presentations he was giving that morning and evening. The meeting was a long time coming; Patch (“the clown who is a doctor”) and I have been communicating for a few years with the goal of him visiting the Institute and the All Stars Project, meeting my mentor and Institute co-founder Fred Newman, and spending some “quality” time together. Patch and the community he has buit around free health care, doctoring as caring for the whole person, and global clowning has much in common with the performance-based development community I have helped to build — in particular, the inseparability of the well-being of persons and community, and a radical commitment to taking risks for social change.

A highlight of the visit was Patch’s guest appearance in Newman’s weekly Developmental Philosophy Group where performing philosophy took on the added forms of clowning, singing and poetry reciting. If you aren’t familiar with Patch’s life and work, check out his Gesundheit Institute where you’ll find  infromation on humanitarian clown trips to places all over the world, news on the Gesundheit Hospital Project, commentary of health care reform, and more.

Here’s a poem Patch shared with us, which was new to me:

Franz Wright, “Pediatric Suicide”

Being who you are is not a disorder.

Being unloved is not a psychiatric disorder.

I can’t find being born in the diagnostic manual.

I can’t find being born to a mother incapable of touching you.

I can’t find being born on the shock treatment table.

Being offered affection unqualified safety and respect when?and only when you score dope for your father is?not a diagnosis.

Putting your head down and crying your way through elementary?school is not a mental illness, on the contrary.

And seeing a psychiatrist for fifteen minutes per month

some subdoormat psychiatrist writing for just what you?need lots more drugs

to pay his mortgage Lexus lease and child’s future tuition?while pondering which wine to have for?dinner is not effective

treatment for friendless and permanent sadness.

Child your sick smile is the border of sleep.

Abandoned naked and thrown to the world is not a disease.

She was unhappy just as I was only not as lucky.

And two more  photos…

Patch and me

Patch and Improvisors of the Castillo Theatre

In 2004 I initiated a program to support grassroots social entrepreneurs and activist-scholars whose work is too new or innovative or radical to get much support. The program is called  The International Class of the East Side Institute. As of today, over 50 people from five U.S. States and 16 countries have been a part of it. Among them are psychologists from India and Brazil, applied theatre practitioners from Kenya and Canada, community organizers from Uganda and Taiwan, psychotherapists from South Africa and Argentina, youth workers from Nicaragua and Mexico, and educators and social workers from the Philippines and the United States. Coming from different places and professions, they share a desire to change the world-and an eagerness to take advantage of the unique opportunity the International Class offers them to create a global support network, to engage the philosophical, political and psychological issues of their practice, and to study and train as developmentalists with the creators of social therapeutic methodology.

Here is the first issue of The International Class alum newsletter, Reports from the Field.

Enjoy!

Here’s the link to a video of the scened from the Work/Play described below

January, 15, 2010

I was delighted to see The Work/Play – the current production of Youth OnStage! (the youth theatre of the All Stars Project) – featured in a column by Ellen Galinsky in today’s Huffington Post. I work with and am a huge fan of all the All Stars programs and have a special love for its youth and adult (Castillo) theatres. I’ve seen this production and attended the Culture Talk last Sunday that Ellen refers to. In addition to Ellen (president and co-founder of Families and Work Institute), Daniel Banks (founder and director of Hip Hop Theatre Initiative) and Dan Friedman (artistic director, Youth OnStage!) and the young cast of the play created a lovely conversation among equals.

Here is Ellen’s column:

A Tale of Two Worlds: B-School and High School

I’ve spent the past eight years immersed in the science of early learning, working with researchers from the world’s great universities. We have distilled this science into seven essential life skills you can teach your children (not typical academic achievement-oriented skills. Real life skills). The result of this journey is Mind in the Making, a book, awareness campaign, and teaching approach to early learning. The best thing about these skills is that you can apply them to your daily life, no matter how old you are. Each week, I’ll share with you real-life examples of these skills at play, and I encourage you to share your observations with me on Twitter (@ellengalinsky). Here is my first story:

World One:
Picture this: a group of young people from Youth Onstage have created and are performing a play called Work, Play & You–A Love/Hate Triangle at New York City’s Castillo Theater:

Here is one of the first scenes called “Security Check:”
Some of the young people in the cast play security guards; others play students waiting to be checked into their school building. They have obviously created this scene from their own experiences attending inner city schools. Because the scene is so powerful, I will share it with you from the play’s script:
Guard 1: Come on, come on. If you were any slower, you’d be going backwards.
Guard 2: Take that hat off. And get those rainbows out of your pockets.
Student: Hey, man I got the right to have rainbows in my pockets.
Guard 3: Don’t give us no attitude. Empty ‘em. Now!
(Student 1 empties his pockets and exits.)
(Second student comes through.)
Guard 2: Wait a minute. Is that glitter?
Student 2: (holding up the bag) Yes, it is–this backpack is sprinkled with happiness.
Guard 2: Go back outside and clean it off.
(Student 2 goes back out.)
(Third student comes through smiling.)
Guard 2: Discard that smile.
(Student has a hard time getting rid of her smile.)
Guard 2: Do you want it ripped off your face?
(She stops smiling and is waved in. Fourth student comes through.)
Guard 1: Wait, wait, do you see what I see in that bag?
(Guards 2 and 3 look.)
Guard 3: Yes, it’s definitely a glimmer of hope.
Guard 2: (opening bag, taking the hope out) We’ll keep that. If it’s still alive at the end of the semester, you can have it back.
Student 4: Please officer, I need that hope. It won’t hurt anyone.
Guard 2: Hope has no place in school. Get to class.
(Student 4 exits. Fifth student come in looking very sad.)
Guard 1: She looks depressed enough for school.
Guard 2: Yeah, she’s fine, let her through.
(Student 2 returns.)
Guard 1: Her bag’s clean now.
Guard 2: Yeah, but she’s a troublemaker. Scan her.
Guard 3: Okay, assume the position. Spread ‘em, spread em.
(Student 2 holds her arms out and spreads her legs. Guard 3 scans her. Looks in student’s hair.)
Guard 3: Wow! There’s dreams in her weave.
Guard 1: You’ve got some attitude problem, girl. Go home and wash those dreams out of your hair. Don’t come back until they’re gone.
Guard 2: I don’t know what’s wrong with kids these days.
(Sixth student enters.)
Guard 1: This bag has set off every alarm.
Guard 2: Open it up.
(Sixth student takes things out of bag.)
Guard 1: Self respect? You know that’s against the rules here.
Guard 2: Songs? Creativity is banned.
Guard 3: Imagination!
(The Security Guards are shocked.)
Student 6: I need my imagination.
Guard 1: Not here you don’t.
Guard 3: This one’s a real criminal.
All Three Guards: You’re expelled!

As this powerful play, directed by Dan Friedman, continues, there is scene after scene where a character named Work and a character named Play compete for “everyman.” As one of the actors says in the beginning of the play: “When you go to school, you’re forced to leave play at home or on the street or wherever. They just don’t want it in the classroom.”

World Two
I saw this play on Sunday January the 10th, and following the play served as one of the discussants for a conversation with the audience and the cast. Then I went home and turned to the most serious of serious sections of the Sunday New York Times, the business section.

And there I read a front page article by Lane Wallace, entitled, “Multicultural Critical Theory. At B-School? The point of this article is that business school students need to learn the essential skills of critical thinking and perspective taking. As the article says, students need “to learn how to approach problems from many perspectives and to combine various approaches to find innovative solutions.”

Lest you think that this is only a radical idea, it is being implemented at such august B-Schools as Harvard and Stanford and the C.E.O. of the Association to Advance Collegiate Schools of Business, John J. Fernandes, estimates that while about 25 percent of association-accredited schools are changing their curriculum to develop more sustainable leaders now, he expects that figure to reach 75 percent in 10 years.

B-Schools are making these changes because they lead to better results–future business leaders who can possibly make better decisions.

So it was a day of two worlds–the world of high school education where students have to leave their best selves at the door and the world of business schools, where some of the leading institutions are revising their programs to help students obtain important life skills.

Is A Reconciliation Of These Two Worlds Possible?

That is the hope of the students from Youth Onstage and the play’s conclusion. I certainly hope they are right.

Having spent the past eight years studying how children learn and filming many of the best experiments in neuroscience, cognitive science, and child development research, it is clear to me that education must focus on what is learned (content AND life skills) and how it is taught (using techniques that include what researcher Kathy Hirsh-Pasek of Temple University and her colleagues are calling playful learning).

I also know that these essential life skills of critical thinking and perspective taking develop early and that there are hundreds of everyday ways that teachers and parents can nurture them. We shouldn’t have to wait until graduate school to try to reintroduce them to students. If we do, we are losing far too many students and potential leaders along the way.

I came across an interview with Ann Weimer Baumgardner – author of Pretend You’re Normal: But Only When Absolutely Necessary, and described as a molecular geneticist, creative thinker, author and humorist on the IdeaConnection.com website. I hadn’t heard of Baumgardner (have you?) but I liked what I read. Here’s an excerpt from the interview (by Vern Burkhardt):

Burkhardt: You say we shouldn’t be afraid to make new rules and break old paradigms with our children. Such as letting them sleep in clean clothes for the next day if they hate getting dressed in the morning. Or who says you have to bathe just before bed rather than in the morning? Does it surprise you that many people don’t use creativity to deal with these types of challenges and, instead, often do things that cause undue stress in their lives?

Baumgardner: No, it doesn’t surprise me. We’re all conditioned to go about the details of our life without thinking.

Just a few years ago my husband and I laughed when we realized we’d been making our bed for our mothers who live hundreds of miles away. Neither of us cares if it’s made or not. Those first thirteen years of our marriage are lost to us, but just think of all the unmade beds we have in our future.

That’s why I like kids so much because they ask that all important question, “Why?” When Emily was five, she asked if she could sleep in her closet instead of her bed. My mind went immediately to “No,” but I made myself ask “Why not?” I called the fire department and they thought it was safe, so I cut a foam mattress to fit, and she slept there for about six months. If she’s getting her rest, she’s safe, and it’s not impacting anyone else negatively – then, OK let’s do it!

Burkhardt: Your approach to making parenting fun has its roots in the way your parents found ways to have fun, and to say “yes” rather than “no.” Do you have evidence, or observe, that children are more well-adjusted and successful as adults when exposed to that type of parenting?

Baumgardner: My parents did say “yes” a lot, but it wasn’t the kind of yes where we were allowed to do whatever we wanted. There were definite rules. We had strict bedtimes, we were expected to be polite, to clean the house, and help with chores. There were consequences when we failed to complete our tasks. The “yes” was about how we chose to do the thing they were making us do. My dad would often say “Is this going to be work or is this going to be fun?” You begin to realize that having fun is an attitude not an activity.

Me: Having fun is both.

That’s the question for the sixth Performing the World conference taking place September 30-October 3 in New York City. I’m what you could call the “chief organizer” for Performing the World (PTW) conferences and community. It’s a great job because there seems to be no end to the people and projects I find out about through word of mouth, referral and inquiry. Since the first PTW in 2001 performance has gained a lot of ground in the humanitarian, human rights, and social entrepreneurial fields—which just adds more to the performance movement-coming-into-being.

The sponsors of Performing the World 2010 are  the East Side Institute for Group and Short Term Psychotherapy (my organization) and the All Stars Project, Inc. For decades, both organizations have worked to create a performance-oriented culture and community, in conscious and direct relationship to progressive social change. Our activities involve all neighborhoods and social strata in New York City, and have created an international network of connections.

For PTW 2010, we ask performance activists and scholars to reflect on and address the political aspects of their performance work; at the same time, we invite social change activists to reflect on and address the performance aspects of their political activities. We are looking for proposals —for panels, workshops, performances, demonstrations, installations, etc. — that address this overarching question.

Performing the World 2010 will be a three-day “performance of conversation” with people from all over the world — scholars and researchers; teachers, therapists, social workers and community organizers; doctors and other health workers; theatre and other performance artists; union activists and business leaders; economists and political activists — on the subject of performance and the transformation of the individual, the community, and the world.

Proposals are due March 1. Spread the word!

Watch Joe Spirito’s Performing the World video!

I ended 2009 with two adventures—one in Russia and the other in Serbia. Two different trips, two different countries, two different organizing milieus—connected in our collective histories with each other and with Vygotsky.

I spent a week in Moscow and its surrounds, mostly at the 10th Annual Vygotsky Memorial Conference, organized by psychologist Elena Kravtsova of the Vygotsky Institute of Psychology at the Russia State University for the Humanities and aided immeasurably by Dot Robbins. For many years, Elena has been implementing the ideas of  her grandfather Lev Vygotsky in creative and significant ways in schools and university training, along with her husband Gennady Kravtsov.  (They were featured  at a conference on Vygotsky and Culture that I and the late Leslie Williams of Teachers College Columbia University convened in 1997; a chapter in my book, Schools for Growth, is devoted to one aspect of their work, based on first-hand experience in the late 90s.)

The conference offered a lot: a chance to experience first-hand several voices of Russian non-classical/Vygotskian psychology; the fun and challenge of leading a performatory workshop for more than 100 Russian university students with my dear  colleague Carrie Lobman; the privilege of  delivering a plenary address with the incomparable translation of another dear colleague Elina Lampert-Shepel; being reunited with Gita Vygodskaya after after nearly a decade (in addition to being together in Moscow and parts of Europe a few times, I and the Institute hosted Gita’s first ever visit to the US in the mid-1990s); and walking, talking with and learning from many of the other participants.

What I offered was a “Vygotsky without truth” — by which I meant the work of the Institute and its broader performance and development community.  I shared some of the theory/practice of truthless therapy and truthless developmental learning in and outside of schools, where it has come from, and how I understand it to be a worthwhile pursuit in the current social-cultural-political climate.

I think that the talk was challenging. For one thing, it didn’t do what many talks (not just at this conference but in most academic and intellectual contexts) do, which is to focus on what Vygotsky meant by something he wrote and make the argument for the correctness of that interpretation (“the truth”). I actually love following the train of thought of such speakers and authors and admire their smarts. It’s just not what I chose—or choose—to do. For another, putting “Vygotsky” and “therapy” together in the same sentence was completely new to the majority of the audience and, understandably, it took awhile for them to wrap their heads around it. It was fascinating and gratifying to me that it was the Russian psychologists who caught a glimpse of the newness and potential of our social therapeutic approach to emotionality and were the most eager to pursue the topic. The conversation continues!

I returned home for about two weeks and then traveled to Serbia, something I’ve been doing nearly every year since 1998. I go at the invitation of Zdravo da Ste (“Hi Neighbor”) to participate in their annual meeting. Zdravo da Ste is a unique organization initiated by volunteer developmental psychologists in 1992 originally to provide support to refugees—its work is Vygotskian based and delightfully focused on play, creativity and performance in all of their programs. Each year, guests like myself create a panel discussion and lead workshops on the theme chosen by the organization (this year it was play and development). Others who have become regular participants are Volker Bunzendahl (Denmark), Lina Kostarova-Unkovska (Macedonia), Paul Murray (UK and Serbia), Thomas Sorensen (Denmark), and Leif Strandberg (Sweden)—we were joined this year by Tim Prentki (UK). We’re an odd lot—academically trained (and somewhat academically located, on the fringe) practitioners and researchers who persist in creating environments for play, and who love to theorize about it too.

At the annual meeting (which took place in Golubac, a village in northeast Serbia) and again in Belgrade, Zdravo da Ste hosted a book launch for the Serbian edition of Let’s Develop! A Guide to Continuous Personal Growth, by Fred Newman (Institute co-founder, colleague, friend and mentor). A popular seller in English since 1994, the translation and publication came about through the efforts of  Zdravo da Ste psychologists (Vesna Ognjenovic and Bojana Skorc in particular), along with publisher Dragan Stojkovic and MOSTART.

Thus completed a year of travels, rich with new performances for me and others in our modest efforts to help the world develop. Here are some slides of some of the people and places I visited and people I worked and played with. It is great privilege to be building these relationships with colleagues who playfully and passionately resist “the tyranny of the normal.”